Serious scholarly editions of his work include nine unfinished articles intended for The Contemporary and over.

In his twenty-three years of public literary life, which included active participation in two periodicals, The Literary Gazette (1830-31) and The Contemporary (1836-37), Alexander Pushkin published only fifty-two prose pieces on literary subjects, many of them just a paragraph in length. © 2015 The British Psychological Society. It is suggested that mirroring mechanisms are shaped by a domain-relevant narrowing process driven by sensorimotor experience and that action understanding can take advantage of both top-down and bottom-up processes, in a multilevel and dynamic fashion. Within the neuroconstructivist framework, a novel model is proposed in which the direct-matching and action reconstruction viewpoints on action understanding processes can be integrated by assuming a developmental perspective. neuroconstructivist framework with the aim of evaluating whether the hypotheses driven by this approach are in line with the available evidence. Strengths and points of criticism deriving from existing alternative positions are illustrated. The current review examines models developed to answer questions about the origins and early developmental processes determining the emergence of mirroring mechanisms and considers the debate about the role of the motor system in action understanding. This essay argues that ‘The Story of Willie Ellin’ affords rich insights into Brontë’s ideas and working practices in her final years, suggesting that it should be more widely acknowledged as a unique aspect of Brontë’s oeuvre, revealing the new directions she may have taken had she lived to complete another novel. It also shows Brontë representing a child's experience of extreme physical abuse which goes far beyond the depictions of chastisement in Jane Eyre (1847). ‘The Story of Willie Ellin’ reveals Brontë at her most experimental as she explores the use of different narrative voices, including that of an unnamed genderless ‘ghost’, to tell a story from different perspectives. Those who have discussed it have condemned it as a failure the later fragment ‘Emma’, also left incomplete by the author's premature death, has been seen as the more likely beginning of a successor to Villette. The generic instability and disordered temporal framework of this fragment make it unlike anything Brontë had previously written, yet it has attracted the attention of few scholars.

Charlotte Brontë’s eighteen-page fragment, ‘The Story of Willie Ellin’, written shortly after the publication of Villette in 1853, combines the gothic and realism and uses multiple narrators to tell a disturbing story of cruelty towards a child.

Emma by charlotte brontë